Photographing Life and Death in Juarez

By Jakob Schiller Email Author 6:30 am |  Categories: Multimedia, Photojournalism, Politics, Profile, Reportage, Street Shooting, War  | Edit
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Life and Death in The Northern Pass

A view of one of the poorest regions of Ciudad Juarez made up primarily of factory workers who work for foreign companies. This settlement was created after thousands came to Juarez from other regions of Mexico in search of jobs. They were pushed into the mountains where there was no basic infrastructure and built homes out of whatever they could find. Later these neighborhoods would become home to some of the first gangs that later would be responsible for distributing drugs for the Juarez Cartel. This picture is overlooking the Noveno territory.

Photo: Dominic Bracco II


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NSFW: Some photos in this gallery depict graphic scenes of death.

Juarez, Mexico is a war zone.

The war is being waged by two rival drug cartels, the Juarez and the Sinoloa, block by block for control of the city and its trafficking routes. The result is extreme levels of violence, corruption and intimidation. And for the past two years, photographer Dominic Bracco II has been covering the war’s effects on the border town’s residents. While he is working there as a journalist, Bracco can’t help but feel invested in the subjects that he’s become so familiar with.

“I want an American audience to look at my pictures and see how people are living on the border as result of American policies and Mexican corruption and take some responsibility,†he says.

Bracco, who grew up on the border in Texas and speaks fluent Spanish, says he doesn’t feel constantly threatened while working in Juarez but he certainly takes precautions. Even though he lives in Mexico City, no one knows his home address. And he only flies into Juarez when he’s working on his story or an assignment.

He regularly works with the same fixer who knows Juarez well and they both do their best to stay under the radar, like driving beat-up cars that don’t attract the attention of car jackers. Bracco says the flip side of this, however, is that the beat-up cars often break down, stranding them in some of the most dangerous parts of the city.

He never calls his subjects ahead to time to let them know he’s coming; he just shows up. for fear of who might be listening. He just shows up.

The uniqueness of Bracco’s work is due largely to his focus on a group of young people between the ages of 14 and 24 who are called “Los Ninis,†which comes from the Spanish saying: “ni estudian, ni trabajan†— those who neither work nor study.

Working isn’t an option for Los Ninis because, increasingly, the only source of employment in town is in the NAFTA-fueled maquiladora industry, which pays poverty wages. Maquiladores are manufacturing facilities that U.S. and other international companies use for their cheap labor. Many of the local businesses that offered an alternative have shut down because of the violence.

Los Ninis don’t study or go to school because even a public education costs more than most families can afford.

“They are the generation of free trade,†Bracco says. “They are a direct effect of social negligence and globalization gone extremely wrong.â€

Continue Reading “Photographing Life and Death in Juarez” »

Objects Come to Life With Photographer’s “Bent” Sense of Humor

By Jakob Schiller Email Author 6:30 am |  Categories: Blogs, Books, Fine Art, Humor, Internet, Miscellaneous, Multimedia, Photo Gallery, Profile, video  | Edit
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Aargh Shmallows

Photo: Terry Border


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With some well-placed wire, creative lighting and a provocative sense of visual puns, sculptor and photographer Terry Border has given life to everything from peanuts to pill bottles. His cleverly cartoonish scenes are often viral hits on the internet and they’ve brought his blog, Bent Objects, a global audience.

“I don’t mean for everything to be funny,†says Border, who lives in Indianapolis. “We all have different perspectives and my perspective happens to be kind of strange and twisted.â€

Originally, Border says, his bent-object sculptures and photo scenes came about almost by accident. He studied photography in school and initially made his living as a commercial photographer. When that grew old he tried cartooning, then landed in sculpture.

“I couldn’t have planned it if I tried,†says Border, who has published two books and is currently working on several new projects.

Border had always liked Alexander Calder, the artist who is credited with inventing the mobile, which inspired his initial figures to be made of just bent wire. But he quickly started adding things like wine corks to give them more mass.

“I’m not sure how conscious I was [about adding objects], it just kind of evolved,†he says.

Eventually, Border noticed that some inanimate objects conjured images of animals or lent themselves to representing humans. He would make a bug out of a sharpened pencil, with the tip representing the stinger, for example, or he would use pears to represent male and female bodies.

“A lot of it is playing with our preconceived notions of shapes and objects,†he says.

Instead of storyboarding or sketching his scenes out, Border said the best ones just come to him. Take Mail Order Bride, for example. He used to work as a baker in a grocery store and one day while leaving work he passed by a display of real lemons sitting next to a box of plastic lemons. As he walked by he thought, if those lemons were alive, “how would they associate with each other?” The plastic lemons appeared almost doll-like next to the real ones, prompting him to think about humans and their dolls. The final shot gives an idea of his thought process.

Initially, Border tried selling the sculptures, without much success. Then he started taking their photos and posting them on his blog.

The photos not only broadened his audience, they also allowed him to create a more sophisticated narrative. Different kinds of lighting could set the mood, and the occasional well-placed dollhouse prop could fill in the story. The perspective of the photographs also became important, where Border has to “control your eye to tell the story.â€

The first Bent Object photos were taken on a Canon PowerShot camera with a simple backdrop setup in his kitchen and lit by flashlights. He’s since graduated to a Canon 5D and more elaborate lighting system that is set up in a spare bedroom of his house.

While a lot of his scenes rely on word play to complete the loop, Border actually tries to stay away from being too clever with his titles because he wants it to appeal to a broader audience. His more R-rated images are usually get published on a different blog called Really Bent.

“Some people think I’m silly for segregating it, especially the Europeans,†he says. “But there are some people in this state who are very conservative and it makes me a little nervous.â€

Border says his next big thing is video. He’s already dabbled in stop-motion animation where his objects act out more elaborate scenes. He’s working on a YouTube collaboration and wants to include a DVD with his next book.

He won’t reveal all the details but says whatever comes next will still rely on his same sense of playfulness.

“Whatever I do, I just want to have a good time with it.â€

Lego Videos Affirm Love for the Bricks

By Wired Staff Email Author 6:30 am |  Categories: Hobbies, Humor, Miscellaneous, Multimedia, video  | Edit
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In their many hours of research, our video team unearth tons of videos that they think our readers would enjoy but don't ever see the light of day. From that cache we've assembled this collection of quirky Lego videos as our Valentine to a toy unlike any other that got us started building things early.

Check out the clips to see people build a G5 tower case and Super 8 projector out of these famous bricks. There’s even a racy short film that reminds us of Grand Theft Auto on crack.

Above:

Bricked Mac

This project from RP Cuenco and the folks at the SFAI dorms took 2,588 bricks to build over 14 hours. With the help of time lapse we get to enjoy the construction of a fully functioning G5 in less than 3 minutes.


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Photographers: Chances Are, You Suck

By Kenneth Jarecke Email Author 8:00 am |  Categories: Blogs, Humor, Internet, Jobs, Miscellaneous, Opinion, Photojournalism  | Edit
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The "world famous" Black Rodeo in Brooklyn, New York for U.S. News & World Report. Photo: Kenneth Jarecke.

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Editor’s Note: This blog post was originally posted on Mostly True, the blog of photojournalist Kenneth Jarecke. Jarecke was kind enough to share it with Raw File readers. Included above are a selection of his photos. We don’t think they suck.

Chances are, you suck. Worse yet, nobody is going to tell you.

In the past, before the internet made us equal, your friends, the ones you had actually met in person, would let you know when your pictures didn’t quite cut it. Most of the time they wouldn’t even have to say anything.

You’d know it yourself as soon as you showed them.

Of course, plenty of other times they’d publicly bust your chops, but that was a different time. Before we all became so polite. Back when respect was something earned and not a right of birth.

Continue Reading “Photographers: Chances Are, You Suck” »

Robots, Rebar and Slurry: Inside a Massive Public Works Project

By Brendan Seibel Email Author 6:40 am |  Categories: Jobs, Miscellaneous, science  | Edit
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PORTLAND, Oregon -- Amid the grease and grime of Portland's western dockyards, a factory sprang from nothing. Scores of metalworkers began welding rebar cages. Vats of concrete began to churn. The rumbling of a building-sized slurry machine soon filled the air. Bites of rock and dirt 10 feet wide were taken from the earth by the clamshells of giant cranes.

Ripping through the bowels of the Earth is a dangerous endeavor, and the waltz of man and machine was carefully choreographed. Workers ran a gauntlet of cement trucks and cranes. Welding sparks flew while the slippery spoils of digging spilled across the terminal.

Bentonite slurry, a gelatinous blend of clay and water, was pumped into the growing hole to prevent the sides from caving in. A dozen stories’ worth of rebar framework followed, then concrete was pumped in to displace the slurry. It wrapped around the steel cage and then cured. In 10-foot vertical increments teams of workers repeated the process, digging, slotting and filling until a 50-foot diameter cylinder in the ground was forged.

This silo-shaped hole would become Nicolai Shaft, one of many such structures in a $1.4 billion public works program to modernize Portland’s decrepit sewer system. It was November of 2002 and the first of many displays of large-scale construction was underway.

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Once dredged, the center of the concrete ring was a seemingly bottomless pool of silty, slurried muck. A circular rebar floor was lowered. Divers flung themselves into the impenetrable murk, working blind in over 1.5 million gallons of water. They had 45 minutes to weld connections between the concrete walls and rebar bottom before having to cram themselves into the sardine-tin-like decompression chamber.

"No one can see what they're actually doing here," says on-site manger Paul Gribbon, whose office above the Portland opera overlooks the shaft where the east side portion of the project began. "Even the divers can't see very well because the water's so murky."

Once the bottom cage was fixed to the shaft's walls, concrete was pumped in to create a bottom. Two months after the first clamshell bite, the first water was pumped from the center of the giant column.

While Congress holds up much needed repairs to the U.S.’s aging infrastructure, Portland is a beacon for what forward-thinking municipalities can accomplish on their own. Over its 10-year duration (20 if you count the planning stages) the sewer project employed hundreds of workers and generated hundreds of millions of dollars for the city’s economy.

"The Bureau went after all sorts of outside funding – federal funding, state funding – and there just isn't any anymore," says Program Manager Paul Gribbon, who joined the Bureau of Environmental Services (BES) months after planning begun.

The city began selling bonds to cover get the project rolling. The tab is being picked up by every home and business through increased sewage rates.

In retrospect, the finances may have been the easy part as project planners faced down the logistics of burrowing beneath a bustling city and a rushing river. It would become an achievement that even the uninitiated can recognize as an impressive feat of engineering.

View an overhead map of the entire Portland CSO project.

Top photo: Workers prepare to pour cement for the Swan Island Pump Station roof. Construction of the facility required the widest shaft in the entire project.

Bottom photo: A break-in set in the shaft wall allows a tunnel-boring machine easy access without compromising structural integrity. Despite repeated attempts to prevent groundwater from leaking during breakthroughs, leaks dogged the entire project.

Photos by Sue Bednarz for the City of Portland


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