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The Gillmor Gang — Robert Scoble, Kevin Marks, John Taschek, and Steve Gillmor — inaugurated a new title format where the topic replaces the date of the show release (it’s in the URL). Today’s topic: what it always is, Apple’s relentless march toward encircling Windows in a sea of HD-quality iOS devices. In the latest update to OS X, push notification, the Twitter social bus and AirPlay come to the TV by way of the full complement of iOSish devices, now including the Mac.
With iPad 3 just weeks away, Apple has made it retinal clear that the company has no intention of allowing anybody to catch up to the economic juggernaut where premium products sell out at prices that can’t be undercut. The realtime global social network fuels demand for the iOS pervasive screen architecture (and coopetive partners such as Android and Amazon) to such a viral extent that the resulting momentum keeps competitors from realizing Apple’s supply chain economies of scale. → Read More
MacRumors has done something very bad – they went and got themselves an iPad 3 display module. Actually, it’s not so bad when you can apparently just order one online. Normally this part even being online and available ahead of launch would suggest it was a scam, but what matters isn’t the name of the part (could easily be a scam) but the part itself.
They took a microscope to it, see — and it appears to have exactly four times the pixels of an ordinary iPad screen. It’s really just the latest in a long line of “confirmations,” but it’s nice nevertheless to see the thing itself. → Read More
So maybe there really is a sensible middle ground in the music business – somewhere between David Lowery’s pessimism and Bram Cohen’s blind faith in our digital future. That future may be the pop music band Pomplamoose. Its members are Nataly Dawn and Jack Conte, two young musician-entrepreneurs who are not only making a living marketing and selling their music online, but who even own a “nice house” with two recording studios. Nataly and Jack, I suspect (and hope), are the viable future of the music industry – one that will neither revolve around Platinum records nor completely free online content. → Read More
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