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La Cite, Carcassonne, Languedoc-Roussilon, France. 15-5-2006.

The fortified town of Carcassonne and its dream-like silhouette need no introduction. The city’s role in Cathar history, and especially the Albigensian Crusade during which over 200,000 people died, is equally famous.

Shot in crazy wind and miserably overcast weather using a three-stop graduated neutral density filter. It was hard to get a view above the trees and I had to clone out some protruding branches.

26 – June 29, 2008
Scheduling

Les Rencontres Internationales de la Photographie de Ghar El Melh have become the great appointment of photography in Tunisia. Photographers from all sides: confirmed, new, children and the general public expect the last week of June to look, listen, do speak… all the senses will be arrested. Exhibits, workshops, panel discussions, slide shows a menu is also gratifying that teaching.
Exposures
Since its invention, photography continues to metamorphose, to the point where it seems that every photographer, creating its subject, invents its own medium. Each edition of the Rencontres is an anthology of looks from here and elsewhere previously. Venues from abroad or Tunisia, exhibitions are always a certain way of seeing the world. In Bamako as in Arles, Paris or Barcelona, the organisers: commissioner or curator, s’ingénient to build a theme events. In the exhibition galleries Fort Ghar El Melh – former penal colony – where for a long time any event basic freedom was banned today no restrictions are imposed. Meetings Ghar El Melh are a tribute, always renewed, the photographers who sublimate life.

Carte Blanche collectors The exhibitions last year Mustapha Bouchoucha and Victor Sebag had a great success. This year Beit Bennani and Iadh Behi return to submit their shots heart. “Anonymous” is a selection of photographs without mention delved into the fund Beit Bennani, but whose documentary value is undeniable. Soler was the photographer for a long time that any s’arrachait Tunis, he was the photographer official ceremonies, the reporter whose photos illustrated journals from the early twentieth century and a portrait of talent. Iadh Behi offers a choice of savoir faire of this photographer.

Round Tables I: “The pictures today”
(Led by Amar Dhaya, University)

It is possible to consider photography as an area that is sufficient in itself, a stirring panorama as broad as the imagination allows the photographer while being containing photographic. It is also possible to meet a different picture, known as plastic, worked or “photoshopée”, which spans areas, erases labels and demystifies history.
The first provided a wealth of world-famous photographers, a significant amount of works that take the icon. The second, because newer, less is known to the public. Visible only in the galleries, it is for the moment, confidential.
These two photographs meet sometimes violently, through their tenants, with arguments by critics texts and rarely through the works or theories.
All of this leads inevitably to, once again, seeking a definition of photography and a statute for the photographer.

Round Tables II: “The photograph in these relations with the media”
(Led by Mohamed Elhedef, journalist and photographer)

What information should be mostly in their paper version without photographs? A non-illustrated article seems sometimes suspect because the photographers, amateur or professional, are ubiquitous. But this beautiful marriage between the press and the picture is sometimes acrimonious. The scenes of households are becoming common to the point where it is periodically to the brink of collapse.
Photographs published out of context of achievement, false stories, even photographers who manipulate their works have become commonplace.
Like always trains arriving on time and nobody speaks and who become the subject of a scandal without precedent when one of them shows a slight delay, photography fills often marvel at its role . The debate, introduced by a review of photographs that have surprised, shocked or outraged, analyze the path that follows an image of the photographer drive. Course mined, chaotic and often dangerous.

The Night meetings
The evenings of meetings will be set aside for photography, how can it be otherwise, thirst that we organize and you look. In the vast courtyard of the first fort, projections will be organized to add to the vision, the sound of music accompanying commentary or a photographer. Jean Claude – alias Father Fourat – Imed and Donia show every night bêtisier Encounters. This year, a slide show will allow the public to assess programmes carried out by photographers who hope to win “The challenge for Ghar El Melh” trophy that will crown the creativity and boldness.

Photography workshop for children and adults
The workshops, as their name suggests, are more than one site preparations. The result does not count more than the work leading thereto. “The Wall images”, “Life, face and portrait”, “Their photos… our legends”, “Family Album,” are some of the workshops where children give free rein to their imagination, fantasy and innocence. The photographers will be invited to take part and children by the hand to the wonderful world of photography.

Journal of Meetings
Le Corsaire écumera the shores of Ghar El Melh for the third consecutive year. Auditors reported the course of the event, interviews with photographers, citations to remember, excerpts book to read, memorize vocabulary, helping heart of poets, are the topics.

Photo Academy
The Academy of Art in Carthage is a new private school to teach photography in Tunisia. With equipment at the cutting edge of technology, experienced teachers will be glad to show you how to use your digital camera, make a portrait studio and exploit the possibilities of Photoshop. A team of students from this institution will cover the highlights of the day and will screen his interviews and reports each evening.

Back in a work, photography by A. Kahia
What other event could pay tribute to Abdelhamid Kahia? Les Rencontres hope enroll in the Tunisian landscape photography as a reference to consult. A slide show, made after his great book “Tunisia” published in 1964, will explore photography Abdelhamid Kahia, one of the few masters of photography Tunisia.

After midnight
“After midnight” is a meeting, informal and relaxed on the beach of Sidi Ali El Mekki, where interrogations, which have always accompanied the photographer, will be raised. What is a good photograph? The photographer must seek to be happy or to please the public? And the art market! Should we follow or ignore? These are some of the questions which no reply has been unanimously. Here and nowhere else, the digressions are allowed if desired, photography leads to everything and what better place to escape the starry sky of Tunisia and the beach of Sidi Ali El Mekki? The echoes of discussions last year, which ended at sunrise, still resonate today. Some went to bed others have had enough strength to go eat doughnuts and start a new day. The meeting is also this: a performance of physical endurance.

The animations

June 26

09h-12h: photography workshops for children
“Guided tours of exhibitions with Hamideddine
“The wall images with Rania
“Your photos… our legends” with Hajer
“Life, face portraits” with Rabaa
16h-18h: Workshop for adolescents and adults
“Picture Academy”, with the Academy of Art in Carthage
22h to 00h: Nocturnes.
The information (students of the Academy of Art in Carthage)
“Back in a work, photography by A. Kahia” Hamideddine
Slideshows contributing to the Challenge Ghar El Melh
“The bêtisier of the day” by Jean Claude alias Father Fourat, Imed and Donia
Beach Sidi El Mekki
00h to 02h: “After midnight, meeting informally with photographers.

June 27

09h-12h: photography workshops for children
“Guided tours of exhibitions with Lilia
“The wall images with Rania
“Your photos… our legends” with Hajer
“Life, face portraits” with Rabaa
16h-18h: Workshop for adolescents and adults
“Picture Academy”, with the Academy of Art in Carthage
22h to 00h: Nocturnes.
The information (students of the Academy of Art in Carthage)
Slideshows contributing to the Challenge Ghar El Melh
“The bêtisier of the day” by Jean Claude alias Father Fourat, Imed and Donia
Beach Sidi El Mekki
00h to 02h: “After midnight, meeting informally with photographers.

June 28

09h-12h: photography workshops for children
“Guided tours of exhibitions” with Marianne
“The wall images with Rania
“Your photos… our legends” with Hajer
“Life, face portraits” with Rabaa ”
“Reporters at GEM” with Lilia
16h-18h: Workshop for adolescents and adults
“Picture Academy”, with the Academy of Art in Carthage
Panel I: “The pictures today”
22h to 00h: Nocturnes.
The information (students of the Academy of Art in Carthage)
Slideshows contributing to the Challenge Ghar El Melh
“The day of the bêtisier” by Jean Claude alias Father Fourat, Imed and Donia
Beach Sidi El Mekki
00h to 02h: “After midnight, meeting informally with photographers.

June 29

09h-12h: photography workshops for children
“Guided tours of exhibitions with Nathalia
“The wall images with Rania
“Your photos… our legends” with Hajer
“Life, face portraits” with Rabaa
“Family Albums” with Lilia
16h-18h: Workshop for adolescents and adults
“Picture Academy”, with the Academy of Art in Carthage
Panel II: “The photograph in these relations with the media”
22h to 00h: Nocturnes.
“The bêtisier of the day” by Jean Claude alias Father Fourat, Imed and Donia
Slideshows contributing to the Challenge Ghar El Melh and awards ceremony.
“Back in a work, photography by A. Kahia” Hamideddine
Special Info (students of the Academy of Art in Carthage)
Beach Sidi El Mekki
00h to 02h: “After midnight,” Farewell.

Via [Du photographique] freshly translated fron French with Google.

In the last two centuries, Tunisian visual archives were done by french and some Germans, at that time when Tunisia was under the French occupation, photography was about showing how France was doing good in a disordered country.

All the photos in [Photos-tunisie-gobert]

This is an other testimonial how pretty the photography is in Tunisia through decades, people like Jane H. Black were coming and going enjoying every little stuff around, Tunisia is the land of the picturesque a motion worth take shots and getting back happy with a little smell of history in a photo.

Read the Full article by [Jane H. Black]

From [Cassell's Cyclopedia of Photography By Bernard Edward Jones]

Thus as you can see the first threads about Photography copyright came from UK and so did the other Europe country, while in Tunisia, we would certainly do the same as France under the protectorate system. I’m sure that at the time the stock photos was a prominent business all over Europe(Perhaps not yet in USA)they did always tried to protect it from copy and theft as ma matter of assets more than a matter of art.

Till those days, the Tunisian legislation classifies Photography with other copyrighted paper stuff as books, there is no straight law showing the specific nature of the photo itself. I don’t know even if we are still in the Bern convention, hope so.

From The Photographic News edited by Sir William Crookes, G Wharton Simpson

It’s a very strange text of memory, M. Chazal (Who seems to be British) seems to be a pioneer photographer in North Africa, as he have been in Algeria, the contact with the royal family have established deep photography tradition inside the palace of the Bey thus making the epidemic of the photo such a Royal affair.

I don’t remember seeing any photos labeled by the name of a Bey, I wonder where did the works of his majesty gone, such photography should be one of the first art works ever in Tunisia, we know few things about the monarchy and we know fewer things about the Photos at that times.

Since the end of the 19th century, Tunisia was drawn under the French protectorate a masked occupation that led the country under the foreign dictatorship, the resistance of the tribes and local population haven’t stopped since especially in the country side never less in the cities, the national movement have been the guiding to the independence (1965) thanks to decades of struggle with the the French authorities for decades.

The armed resistance was rarely taken in pictures, few portraits of jailed or wanted rebels were kept in the archives, people hiding in top of the mountains and in the bushes keeping eyes open even in sleep were less concerned about archiving their activity through writings or photos than having munitions, food and some intelligence to avoid or attack the enemy platoons nor did the media (a couple of national newspapers) who were over controlled by the French local government, and the French press was spreading other propaganda.

The national movement led by Farhat Hachad, Abdel Azia thaalbi, taher ben Youssef and Bourguiba was a gathering of smart thinkers who thought differently from the rebels, they chosen to peacefully to negotiate with the French occupier small peaces of freedom than the complete independence, the National party have used the most sophisticated tools in time to show their attention: meeting, strikes, newspapers, … without ignoring to take all that in shots thus their actions were shoes around in the local media and the Arab national press.

Bourguiba was on the heart of all that fighting for the independence: local meeting in the party and many visits to Egypt and USA or even as detainee in Isle of Groix was all graved into memorable and precious photos.

Bourguiba knew always how to interact with the camera as his only way of visible communication for the farther people at the time, the national TV started in 1966, the newspapers and the radio were the major mass media. The photos -even in the most worst times- showed a wise smiling leader with enlighten mind and a brighter future.

As part of his show, he was an element man but he also showed him self wearing labor clothes, working as a farmer and taking pictures with political mates and ordinary people, in one word he knew the real value of photography as much as a political speech as a matter for leadership.

Photography has been a main too on the most big struggles for freedom all over the world as much for Tunisia as for Algeria or India, it didn’t just store all those events into memory, it did change history, believes and led whole countries to change.

You can find a valuable collection of Bouguiba’s photo in a dedicated site, and other photos of the national party under the French protector in the independence site establish in the 50th independence celebration.