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Why you should read the Moomin books

I never read the Moomin books when I was growing up, though I vaguely remember seeing the TV series when I was a teenager. I suppose the cuddly characters indicated that there was nothing to see there, and I should move along.

But recently I have been tracking down and reading various books which are generally "Fantastical", mainly via 100 Must Read Fantasy Novels; Comet in Moominland was one mentioned there. I've just finished reading it to my daughter (7), and we both thoroughly enjoyed it.

It's the first of the Moomin books intended for older readers (the first was more for younger children), and while slow-moving to start with, and in many ways lacking in "action", it is humorous, lovable and graceful, but with a deep, darkly-tinged heart.

Some reviews I've read, talking about this book and the later ones, discuss themes in depth; one of the most important being that difference should be tolerated. The characters are very different from each other: some nomadic, some home-loving; some open, some insular; some pessimistic, some optimistic etc. But they all rub along together, and want to stay together, tolerating each other's differences. I have to be honest that this didn't occur to me during reading, but it does make sense in retrospect. Though that's not why I'm urging you to read the book.

The story is pretty simple: through various omens, Moomintroll realises a comet may be about to crash into the planet. The comet appears in the sky, and he sets out (with various friends) to ask some astronomers (fairly useless, it turns out) when the impact will happen. Towards the end of the book, they are racing back home to Moomin valley to hide in a cave they think will keep them safe. The comet has boiled the water out of the ocean and hangs threateningly overhead; they are using stilts to move over the drained ocean bed. At that point, there is a beautiful passage which almost made me cry. It's because of passages like this that I urge you to read it, even if you're an adult:

All about them stretched the strange sea landscape, which had been covered by millions of tons of water since the beginning of the world.

"You know it's rather solemn to be down here," said the Snork. "We must be pretty near the deepest part of the ocean by now."

But when they reached the biggest chasm of all they didn't dare go down. The sides sloped steeply and the bottom was obscured in green gloom. Perhaps there was no bottom! Perhaps the biggest octopuses in the world lived down there, brooding in the slime; creatures that nobody had ever seen, far less imagined. But the Snork maiden gazed longingly at an enormous and beautiful shell that was poised on the very brink of the chasm. It was a lovely pale colour, only to be found in the depths of the sea where no light penetrates, and its dusky heart glowed temptingly. The shell sang softly to herself the age-old song of the sea.

"Oh!" sighed the Snork maiden. "I should like to live in that shell. I want to go inside and see who is whispering in there."

"It's only the sea," said Moomintroll. "Every wave that dies on the beach sings a little song to a shell. But you mustn't go inside because it's a labyrinth and you may never come out."

So she was at last persuaded to go on, and they started to hurry, as dusk was falling, and they had not found anywhere to sleep. They could only see soft outlines of each other through the damp sea mist, and it was uncannily silent. There were none of the small sounds that liven up the evening on land: the pattering of small animal feet, leaves moving in the night breeze, the cry of a bird, of a stone dislodged by someone's foot.

A fire would never draw on that damp ground, and they dared not sleep amongst the unknown dangers that might be lurking about, so in the end they decided to pitch camp on a high pointed rock, which they could just reach by their stilts. They had to keep watch, so Moomintroll took the first and decided to take the Snork maiden's too, and while the others curled up tightly together and slept, he sat staring out over the desolate sea bottom. It was lit by the red glow of the comet, and shadows like black velvet lay across the sand.

Moomintroll thought how frightened the earth must be feeling with that great ball of fire coming nearer and nearer to her. Then he thought about how much he loved everything; the forest and the sea, the rain and the wind, the sunshine, the grass and the moss, and how impossible it would be to live without them all, and this made him feel very, very sad. But after a while he stopped worrying.

"Mamma will know what to do," he said to himself.

I love how the simplicity of the language in the penultimate paragraph reflects the simplicity of the sentiment: it's simple things which make life worth living, and dressing those simple things up in more flowery language detracts from their worth (it puts me in mind of the haiku of writers like Han-shan). I also like the description of the shell: a little sentimental, maybe, but hinting at our ambivalent relationship with the sea: the myth of the siren, our endless longing for the sea, but ultimately how unfathomable and dangerous it is.

The sequels apparently become darker in tone, though remaining life-affirming. I'll definitely be getting hold of them and reading them with my daughter.

Books read 2010

Last year I did pretty poorly on reading books, so this year I made an effort to read much more. I managed 62 books this year: the first year where I've read at least a book a week. My reading rate dropped off just before Christmas, due to the lure of new DVDs and the minor improvement to TV schedules around Christmas. But I will get back to reading more regularly this year.

Here's the list (for completists and myself only); the ones with asterisks are considered "classics" in the SF/fantasy fields (one of my personal goals this year was to get better acquainted with the classics in these fields); the ones in bold are the ones I really rate:

Earth Abides - George R. Stewart * Man Plus - Frederick Pohl * Code - Charles Petzold The Brothel in Rosenstrasse - Michael Moorcock The City and the City - China Miéville The City and the Stars - Arthur C. Clarke * The Shadow of the Torturer - Gene Wolfe * The Physiognomy - Jeffrey Ford - a random find in a local charity shop, but really an incredible read, very unusual fantasy but not the sword and sorcery kind Anansi Boys - Neil Gaiman - I don't really get Neil Gaiman; don't get me wrong, this was quite engaging, just a bit workmanlike maybe; I think I need something a bit more unhinged, uncontrolled, and melodramatic Downward to the Earth - Robert Silverberg * Gloriana - Michael Moorcock Explorers of the New Century - Magnus Mills Memoranda - Jeffrey Ford Kéthani - Eric Brown The Birth of the People's Republic of Antarctica - John Calvin Batchelor - recommended as a classic by The Guardian 100 Best SF books (IIRC), but I found it very, very dull and skimmed the last quarter The Jewel in the Skull - Michael Moorcock - I'm not sure if I've read these before, and I am sure they're not as good as the Corum series, but they are bloody entertaining Thorns - Robert Silverberg The Family Trade - Charles Stross - a nice light read, but the second one didn't really live up to this one Gateway - Frederick Pohl * - this is a solid read, good characters, and an intriguing plotline The Hidden Family - Charles Stross A Case of Conscience - James Blish * - although this is supposedly a classic, it just didn't really hang together well for me, and I found it pretty hard work Ender's Game - Orson Scott Card * - I enjoyed this, but some part of me keeps reading his work from a Mormon/religious perspective; which is wrong of me (the Death of the Author and all that), but I can't help it, and it spoils it for me a bit The Mad God's Amulet - Michael Moorcock Motorman - David Ohle - I'm amazed I hadn't heard of this until this year, but I'd say this is a remarkable piece of surrealism The Space Merchants - Frederik Pohl and Cyril M. Kornbluth * - not as good as I'd been led to believe Grass - Sheri S. Tepper * - very eloquent, strongly plotted, and human The Gamesman - Barry Malzberg - almost always a pleasure Retribution Falls - Chris Wooding - another bit of fluff, but quite well done, though very reminiscent of Firefly (the TV series) The Embedding - Ian Watson * The Cave - Kate Mosse - dreadful I Am Legend - Richard Matheson * - a good read, and it prompted me to watch all three movie adaptations (The Last Man on Earth, The Omega Man and I am Legend - all of which completely miss the point, that the main scientist character becomes a legend among the newly-evolving "vampires"; by the end of the story he has become a relic of an old species, a legend) The Age of Sinatra - David Ohle Striped Holes - Damien Broderick - frothy and comic; I'd like to read more of his stuff Blood Music - Greg Bear * - gripping, great imagery, striking Midwich Cuckoos - John Wyndham * The Unreasoning Mask - Philip José Farmer * - couldn't really see why this is rated as a classic; A Feast Unknown is much better The Claw of the Conciliator - Gene Wolfe A Fire Upon the Deep - Vernor Vinge * - excellent, great page turner, also quite moving House of Suns - Alastair Reynolds - quite tiresome; I did finish it, but it was a bit formulaic (you can kind of see the narrative struts holding it up) Travels in the Scriptorium - Paul Auster No Enemy But Time - Michael Bishop - confusing, but at least it had some guts Riddley Walker - Russell Hoban * - a remarkable feat of storytelling, but I struggled to concentrate Greybeard - Brian Aldiss * - this one is just lovely At the Mountains of Madness and Other Tales of Terror - H.P. Lovecraft - really enjoyed this, but got a bit bored when I tried to read his entire oeuvre Emphyrio - Jack Vance * - excellent fun, with a really satisfying conclusion The Man in The Maze - Robert Silverberg * Voice of Our Shadow - Jonathan Carroll * - I started reading his books for the first time this year, and found them quite addictive (I read 5 altogether); but they are so readable and fun they make me feel a bit suspicious; and they can get mildly repetitive Stolen Faces - Michael Bishop Grendel - John Gardner A Billion Days of Earth - Doris Piserchia - this is very unusual and has some fantastic off-the-wall ideas, but I lost track of what was happening a bit (my attention drifted) Kissing the Beehive - Jonathan Carroll Bones of the Moon - Jonathan Carroll Sarah Canary - Karen Joy Fowler Sleeping in Flame - Jonathan Carroll The Dying Earth - Jack Vance * - also really good fun 100 Great Science Fiction Short Short Stories - ed. Isaac Asimov - a bit rubbish Carnacki, the Ghost Finder - William Hope Hodgson The Story of the Eye - Georges Bataille - I read this a few years back, and still found it quite shocking (and a bit tiresome) when I re-read it The Land of Laughs - Jonathan Carroll Lud-in-the-Mist - Hope Mirrlees * - another supposed classic, but I found it a bit slow The Face in the Frost - John Bellairs - a light, quick fantasy quest narrative; the two central wizard characters are excellent The House on the Borderland - William Hope Hodgson * - very odd, but well worth reading, with a particularly excellent "house under siege from the supernatural" sequence; proto-fantasy with a sort of cosmic horror element; an influence on Lovecraft

This year I plan to read more Jack Vance, Michael Moorcock and Jonathan Carroll, as well as more of the "classics", particularly older works of The Fantastic I have on my Kindle (stuff like Charles Williams, H. Rider Haggard, G.K. Chesterton, Arthur Machen, Lord Dunsany, George MacDonald).

I've also been attempting to put together some ideas for short stories, or maybe even interactive fiction. Something might come of that too. Probably not, though.

Book-related nuggets

I keep thinking about writing something here, but the problem is once I get started, that's a whole evening gone, waffling.

In particular, I've been thinking about books a lot. So here are some book-related nuggets. It all goes a bit Victor Meldrew by the end, I warn you now.

Space operas I've read

I recently read Vernor Vinge's A Fire Upon the Deep alongside Alastair Reynolds' House of Suns. Both are galaxy-spanning space opera, both full of artificial intelligences, alien races, and dogfights in space. Both highly entertaining. But Vinge's book was written about 20 years before Reynolds', and it's pretty obvious Reynolds is a big fan of Vinge. Not to the point of copying, but the plotlines of both share similarities (humans caught up in a battle involving AI systems/races which have reached god-like power). And Vinge is a much, much better writer: his characters are more sympathetic, his scenery more memorable, his aliens more interesting, and his narrative pace tighter and more dramatic. So if you want some space opera, I'd go for Vinge first, and Reynolds second.

I might read Jack Vance soon, as a brief look at one of his books (The Star King) suggests Vinge was inspired by his work (e.g. both use the term The Beyond to refer to the far reaches of the galaxy)...

Hay-on-Wye visit

I visited Hay on Wye with my family for a couple of days last week. We've made this an annual pilgrimage, as we all love going there so much. I found a lot of good books; in particular, Richard Booth's bookshop was a fantastic source of unusual sf: see the town shop catalogue and castle bookshop catalogue for a fraction of the stock.

I ended up buying:

China Mountain Zhang - Maureen F. McHugh Greybeard - Brian Aldiss Underlay - Barry Malzberg Galaxies - Barry Malzberg The Last Transaction - Barry Malzberg The Opiuchi Hotline - John Varley The Snow Queen - Joan D. Vinge The Peace War - Vernor Vinge The Humanoids - Jack Williamson Mockingbird - Walter Tevis Bring the Jubilee - Ward Moore Walk to the End of the World - Suzy McKee Charnas The Breaking of Northwall - Paul O. Williams Gray Matters - William Hjortsberg Riddley Walker - Russell Hoban Star King - Jack Vance Stolen Faces - Michael Bishop A Mirror for Observers - Edgar Pangborn Other Days, Other Eyes - Bob Shaw

Each book cost me £2 to £2.50: cheaper than Amazon marketplace, but not as cheap as I would have liked. I think I'm lucky because sf books are still in a bit of a ghetto; other types of paperback seem a bit overpriced (a symptom of the tourist popularity of the place). I love going there, but my best finds are still when I get hold of an unusual 1960s/1970s paperback for 30p in a small charity shop.

My tactic when visiting is to make a list of specific books to look for: we have about 3-4 hours browsing time, and there are just too many books to look at all of them. On this occasion, I was aiming to find a few "classics" (Moore, Varley, Pangborn, Shaw), interesting books by authors I've recently discovered (Vernor Vinge, Michael Bishop), and books by authors I always look out for (Malzberg - often tricky to find, as I'm not sure all his books made it to publication in Europe). I had a list of about 50 authors/books, but passed up on a few I found because the book wasn't in particularly good condition, or it didn't look so good in the flesh, or were too expensive.

Madeleine chose 17 books (we had to limit her to 1 or 2 per shop, as she kept gathering piles of half a dozen or more - children's books are reasonably priced, though the Children's Bookshop is a rip-off with common paperbacks at £3); Joel got 4 picture books (he mainly wanted to walk around the shops, rather than look at books); and Nicola got about 5 (her favourite shop there is Murder and Mayhem).

Anyhow, now I've got so many great books to read, I don't know where to start.

On Bookmooch

Bookmooch is a great little site: basically you list books you want to give away, and books you'd like to acquire. Each time you give a book away, you get points; each time you acquire a book, you spend points (so no money changes hands). You get 3 points for sending abroad, 1 point for sending to your own country; asking for a book from your own country costs 1 point; asking for a book internationally costs 2 points. I've exchanged quite a few books on there. But a few recent experiences have soured it for me:

People giving away bookcrossing books
I like the idea of bookcrossing.com very much, but don't like it when people take bookcrossing books and put them onto bookmooch without mentioning it. bookcrossing books are intended to be given away after they've been read; I don't mooch books off bookmooch to give them away again, necessarily: it might be that I want to keep the book after I've read it (I like collecting books). I'd feel guilty if I got hold of a bookcrossing book via bookmooch and kept it. I recently got a bookcrossing book unintentionally off bookmooch, so now I've read it I'm going to have to leave it somewhere for someone else to pick up.
People refusing to send mooches internationally
People on bookmooch have the option not to send internationally, or to have you ask first to see if they'll agree to send internationally. While in principle I understand this (from what US citizens tell me, postage internationally is exorbitant; in the UK I've found it to be fine), it is still galling to see books you want but are unable to get because the person won't send internationally. Even more galling if you ask them to send internationally and they say "No". This is really an issue with bookmooch: it shouldn't show books you can't mooch because the person won't send internationally.
People sending books in terrible condition
I got one book off bookmooch which had some kind of toxic sticky gunk on its cover. It's so bad I can't put it next to another book on my shelf. I'm reading it at the moment, taking care not to put it down on top of any other books after each reading session. Once I've read it I'm going to have to bin it, as I'd be ashamed to give it to anyone else.
I don't mind dog ears, crumpled spines, bent pages, limited water damage etc.; but a cover which glues itself to other books goes beyond acceptable.
Poor user experience
The bookmooch website really doesn't lend itself to regular use, and does a poor job of tracking what tasks are pending and what you've done. One example: if you ask someone to send internationally, there's no record of this on the site: you have to keep the email to remind you. But despite that, you can mooch the book anyway, before the person you asked has responded (the system should block until the person agrees to send internationally, but doesn't for some reason). Then add to that the fact that reservations expire after a week, even if the person doesn't respond to your request within that time. So you can be in a situation where you've asked someone to send internationally, they haven't responded, and your reservation is about to expire. What to do? I tend to mooch it anyway, explaining why, and saying they can cancel if they wish.
Another example is the wishlist. It defaults to showing you just the books you've wishlisted, and not related editions. You can show related editions if you want, but you have to click. Each moochable book has a link next to it; but if a related edition is moochable, there's no link. What you really need is a list of "moochable items which are on my wishlist or related to my wishlist" (this is roughly what the RSS feed supplies), with a link for each.
Also, there are more general issues, like the terrible search engine, which as well as returning very poor results is also horribly slow; and the abysmal HTML, resembling something produced by Microsoft FrontPage sometime around 2000, bloated and nigh on impossible to screen scrape.
(I know I could do better (I spent two years working on Prism after all), which is, I think, what makes it so frustrating to use.)

All in all, while it worked out well for a while and I got some good books out of it, I'd actually rather spend £3 on Amazon to get the books I want, rather than go through the hassle of using bookmooch. Shame. I'll leave my wishlist on there, but I'm not going to put anything in my inventory for the time being.

In lieu of a mid-life crisis

I'm 40 this year (not yet, I hasten to add). Yes, I know it's no big deal it's a round number, that's just human preference for powers of 10. Anyway, it does seem like some kind of milestone in my life, for whatever reasons. And as I have a generally introspective mind, and a good dose of self-absorption, and this is my blog, I'm going to write a few notes about it.

Not sure what got me started down this path, but yesterday I dug out a load of old school books, note books, board game designs, roleplaying game campaign books, poetry, short stories - it's all still out there in the garage. But what struck me, rather than "where did all my dreams go? what am I doing with my life?", the usual things accompanying the average mid-life crisis, I found myself thinking "actually, I'm pretty much the same person I was when I was 12; I haven't really changed much; I still believe the same things". I mentioned this to Nicola (my wife) and she said something like "that's one thing you always are: consistent, stable, level-headed". Though she made it sound better than that: I'm paraphrasing.

So, where is my evidence for this. Cue quotations from old school books etc.:

"There is not anybody that I would really like to be, but if I had to be someone else, I think it would be Arthur C. Clarke...I would not like to be him because of the mysteries he has investigated but because of his great output of short stories and books..." (June 22nd 1982; still love science fiction, would love to be a great SF writer, but realise that probably that's not my calling)

"There are three things I would change in the world if I became, as it were, a 'supreme dictator'. 1. Banning of vivisection: all animals should be treated as part of life, and if they are destroyed or harmed we would be affecting our future lives... 2. Freedom of speech: I would give everybody in the world the freedom to speak how they wish... 3. Nuclear war: I would try to stop the production of nuclear weapons." (December 15th c. 1983; basically I was a hippie then and I still am; I think that's quite forward thinking for someone living in a provincial backwater in the early 1980s - probably my mum's influence)

There's really no point going on about achievements since then etc.; you can read my about page to find out what I've done with myself all this time. I don't think I'll ever "do enough" to say I've finished.

More important, though, are things which have meant a lot to me over the past few months. These are the kind of things we're living for:

Sledging in the local park with Madeleine (my daughter) on Christmas Eve 2009. This was just the most wonderful day for me: exhilirating, laughing with my daughter, expectations of Christmas the next day, looking forward to warming up in the cafe for lunch. I'll treasure this one for a long time. How Joel (my son) loves to throw himself at me, fling his arms around me, wrestle me, nestle into my neck, calls me "my daddy"; his carefree grin as he ambles around the garden looking for interesting things. Gaming night with Nicola (my wife): it's one time in the week when we sit down together, just the two of us, and get a chance to do nothing but spend time together, chat, have a drink. Sometimes we're both too knackered, but most Sunday nights, that's what we do. Carcassonne and Dominion are our current arenas. It's also great working at home, as we get to see each other a bit more and meet for lunch once a week in the local cafe. Good to be together. Paul (my current manager) having the faith in me to persuade me to work at Intel, when I was at a really low point, virtually no self confidence, no self belief, and practically telling him I couldn't do the job. He was right, and I was wrong. It's taken me a while to build myself up again, but I finally feel like I'm getting into my stride and being useful. Rediscovering my love of SF. I made a concerted effort this year to read more, and have been having a great time doing so. I've read quite a lot of classic SF this year, and have made some good discoveries (Grass by Sherri S. Tepper is my current one, which is really good, and actually brought tears to my eyes). I'm convinced reading fiction, great fiction, makes me a better person. Writing more music and releasing an album. The release will happen in the next few weeks, and it's going to be very small (it's a tiny net label), but I'm really pleased and grateful someone else (Kevin Busby) has enough faith in my music enough to put their name to it.

While digging around, I also found this rather excellent (and very 1980s and corny, obviously around the time of Close Encounters) birthday card from my family; inside it says "HOPE YOUR BIRTHDAY IS OUT OF THIS WORLD!" There's also some of my mum's handwriting: "To Elliot, lots of love Mum, Dad, Dean & Chloë" (she always put the umlaut on Chloe). Finding some of her writing, that made me a bit sad (she died a few years ago of cancer). Here's the picture, anyway:

(Looking at this now, the sentimental part of me suddenly finds this picture quite fitting as a visual metaphor for what it's like to grow up...)

No earth-shattering revelation to come to, no character progression. But perhaps that is my point. What's important is knowing who you are, and doing things which make you (and those around you) feel good.

Zombie Haiku

I noticed this Zombie Haiku book yesterday: http://www.amazon.co.uk/dp/1600610706

Which reminded me of this zombie haiku I wrote when I was about 12 (27 years ago - ouch):

A noxious zombie
eats a mouldy, worm-filled leg
in a rancid cave.

Which isn't very good (though vivid enough for me to remember and obviously ahead of its time); and not strictly haiku (it has no "kireji", or its closest equivalent in English, i.e. "a dignified ending, concluding the verse with a heightened sense of closure" - http://en.wikipedia.org/wiki/Kireji). So I rewrote it while in the bath last night (probably too much information there...):

An ashen zombie
gnaws a muddy, worm-filled leg:
tears run over bones.

Hopefully, this will enable you to see how much I've progressed as an artist.

Update: After having written this, I read this surprisingly relevant blog entry about how we see our artwork when we're young (by way of Rotating Corpse), how our perceptions of it change, and even how art comes to have value.

Books read 2009, and to read in 2010

Last year I only managed to read 18 books. Pretty poor going. They were:

Microserfs - Douglas Coupland
Magnetism and other stories - F. Scott Fitzgerald
Everything Is Miscellaneous
The Eternal Champion - Michael Moorcock
Phoenix in Obsidian - Michael Moorcock
The Sailor on the Seas of Fate - Michael Moorcock
Dying Inside - Robert Silverberg
Breakthrough - Richard Cowper
Brontomek! - Michael Coney
To Your Scattered Bodies Go - Philip Jose Farmer
Childhood's End - Arthur C. Clarke
400 Billion Stars - Paul J. McAuley
The Road - Cormac McCarthy
Tactics of Conquest - Barry Malzberg
Secret Harmonies - Paul J. McAuley
Inside Intel - Tim Jackson
Imperial Earth - Arthur C. Clarke
A Canticle for Leibowitz - Walter M. Miller Jr.

Of those, The Road was easily the best. I dread to think what a shambles the film will turn it into.

I've also updated my list of important books to include one or two I read last year, and some others I remembered. Plus I created a separate section for my favourite sf books.

This year I'm planning to read some sf classics. Here's the list I'm starting from (as I already have copies of all these):

A Case of Conscience - James Blish
Downward to the Earth - Robert Silverberg
Man Plus - Frederik Pohl
Venus Plus X - Theodore Sturgeon
Davy - Edgar Pangborn
The Space Merchants - Frederik Pohl & C.M. Kornbluth
The Diamond Age - Neal Stephenson
Blood Music - Greg Bear
Stand on Zanzibar - John Brunner
Time Out of Joint - Philip K. Dick
The Embedding - Ian Watson
The Fifth Head of Cerberus - Gene Wolfe
I Am Legend - Richard Matheson
On Wings of Song - Thomas M. Disch
Ringworld - Larry Niven
The Child Garden - Geoff Ryman

Let's see how I get on.

My favourite blog

I was going to put "probably", but then decided that, no, this is my favourite:

http://ageofuncertainty.blogspot.com/

I love the way this chap writes. Mainly about second-hand books he's found and/or read, but often about their cover art, the ephemera he finds inside them, brilliant expositions about small towns he's visited, and other bits and pieces. There's a certain gentle Englishness, quiet pathos, and calm reflection about his work which strikes just the right balance for me.

Christmas 2008

Great Christmas holiday. Shame it's over.

Enjoyed watching lots of films through Sky+. Jonathon Creek, Gavin and Stacey, and Wallace and Gromit were good. Got the broadband working (though Sky's DNS servers are knackered at the moment).

Joel started eating solid food: he's starting to get the hang of it. Chloe and Ian came for Christmas day and we spent most of the time playing on the Wii and eating.

Presents I got:

Mario Karts Wii plus extra steering wheel Made to Stick book Everything is Miscellaneous book Hello Young Lovers by Sparks Missiles by The Dears The Thirteenth Floor DVD Hot Shots (I and II) DVD The Apple Source Book A garden fork A bag for holding string A puzzle book (I realised I love puzzles while on holiday) A planetarium Spy pens Shut the Box game

Back to work Monday. Also need to stop eating so much crap, as I think I've put a few pounds on over Christmas.

And yes, Happy New Year and all that.

Time, like an ever flowing stream

Seems to be passing more and more quickly.

We got Sky+ last weekend. The best thing about it for me, at the moment, is that it's great being able to watch a different comedy film every night. I am still in the "bewildered by choice" phase of engagement, but gradually working out where stuff is.

I feel quite unprepared for Christmas. I've done most (all?) of my shopping, but I need an audit to decide whether I need to get more stuff.

Joel is getting to the point where he recognises me when I come home, and he's all smiles. Lovely. Makes up for him waking up at 5.30 some mornings: after which he ends up on the lying on bathroom floor while I'm having a shower, so Nicola can get some rest. He goes onto solid food next week, having breakfast with me and Madeleine.

Madeleine is getting on well with her reading (can read most short words), likes doing number squares and crosswords, still does drawing every morning when she gets up. She's growing up fast. For her birthday she got several games, so we've been playing Junior Monopoly a few times.

I haven't been doing much. I've played with Google App Engine a couple of evenings, but apart from that, haven't been coding outside work. Too tired. Went to see John Shuttleworth live at the weekend: well worth seeing.

Another year nearly over. Personal achievements have been thin on the ground (far fewer extra-curricular activities). I've read about the same number of books I do every year; still not managed my goal of one per week. 35 to be precise. Here's the list:

Orbitsville (http://allconsuming.net/item/view/2353126) Rendezvous with Rama (http://allconsuming.net/item/view/253150) Non-Stop (http://allconsuming.net/item/view/75264) Enemies of the System (http://allconsuming.net/item/view/670914) The Search (http://allconsuming.net/item/view/167067) The Committed Men (http://allconsuming.net/item/view/739473) In Solitary (http://allconsuming.net/item/view/2822788) Saturday (http://allconsuming.net/item/view/2058961) The War Lord of the Air (http://allconsuming.net/item/view/3756753) The Rose (http://allconsuming.net/item/view/3792182) Cemetery World (http://allconsuming.net/item/view/1152767) The Sleeping Sorceress (http://allconsuming.net/item/view/609968) Fireclown (http://allconsuming.net/item/view/3832070) The Knight of the Swords (http://allconsuming.net/item/view/3837445) The Queen of the Swords (http://allconsuming.net/item/view/2682127) The King of the Swords (http://allconsuming.net/item/view/3854971) The Fountains of Paradise (http://allconsuming.net/item/view/13323) The Bull and the Spear (http://allconsuming.net/item/view/2274557) The Oak and the Ram (http://allconsuming.net/item/view/3897707) Star Maker (Early Classics of Science Fiction) (http://allconsuming.net/item/view/82366) The Void Captain's Tale (http://allconsuming.net/item/view/144163) The Penultimate Truth (http://allconsuming.net/item/view/718677) On A Planet Alien (http://allconsuming.net/item/view/1150728) The Wisdom of Crowds (http://allconsuming.net/item/view/52270) Bonjour Laziness (http://allconsuming.net/item/view/77398) The Land Leviathan (http://allconsuming.net/item/view/1497844) Wikinomics (http://allconsuming.net/item/view/3545416) Needle in a Timestack (http://allconsuming.net/item/view/4873719) The Ghost Map (http://allconsuming.net/item/view/2659033) More Things in Heaven (http://allconsuming.net/item/view/3823282) On Chesil Beach (http://allconsuming.net/item/view/3626444) Mary (http://allconsuming.net/item/view/5275483) The Very Persistent Gappers of Frip (http://allconsuming.net/item/view/117092) Bonjour tristesse (http://allconsuming.net/item/view/5317870) Pale Fire (finished end December) The Sword and the Stallion

In a self-referential response to myself

Paul responded in a comment to this post. He pointed out that the small thing we may have lost (the ability to concentrate hard on "slow" pleasures) is more than compensated for by what we've gained: almost unlimited horizons, the wealth of the world at our fingertips, i.e. the internet. He's right. I was just being an old curmudgeon. Must have been a downer of a day.

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