Ph: 07142009

February 17, 2012

Reflections on Guatemala (or, What’s In A Pen?)

“I didn’t expect a road-to-Damascus, life-changing snap,” I told a fellow volunteer on my last morning in the country.  ”I didn’t expect it–but I guess one can always hope…”

The phrase “cognitive dissonance” keeps coming to mind: How does one work half days in an orphanage full of kids lacking toilet paper & teeth, then cruise off to swim in waterfalls with 18-year-old girls? None of it makes a great deal of sense. Much in our world doesn’t.

What follows is a lumpy mixture of the life-affirming, the very sad, and mostly the totally banal.

(more…)

11:08 AM | Permalink | Comments [18]

VFX: Inception Park

As Colossal puts it, “This is almost too good for words. A wonderfully clever video directed by Fernando Livschitz of Black Sheep Films, in which hovering roller coasters fly through the streets of Buenos Aires, completely untethered to tracks.”

[ http://player.vimeo.com/video/36874836?byline=0

[Via ]

9:28 AM | Permalink | Comments [2]

February 16, 2012

Pixelapse: PSD backup & sharing

Pixelapse promises “Visual version control done right”:

Hit save in Photoshop. Your artwork will be on the Web, ready to be shared in seconds.

Share and get feedback from your team members, or anyone you share the design with.

[Previous/similar: LayerVault.]

10:17 AM | Permalink | Comments [3]

Turn any rigid surface into a multitouch UI

Ehhh, what? But yes, it’s apparently real. Read more here.

[Via]

February 15, 2012

A camera so fast, it can see photons moving

Oh my:

MIT Media Lab researchers have created a new imaging system that can acquire visual data at a rate of one trillion frames per second. That’s fast enough to produce a slow-motion video of light traveling through objects.

[ http://www.youtube.com/embed/EtsXgODHMWk ]

[Via]

11:26 AM | Permalink | Comments [4]

Friday Demo/Q&A: Mission Mobile

Check it:

Learn how to create mobile apps or websites using Adobe Creative Suite 5.5 Web Premium software. Join Evangelist Paul Trani and discover the latest tips and tricks on Adobe Dreamweaver and Adobe Air for going mobile fast. We’ll cover how to customize content for different screens, create galleries, optimize graphics, and more.

Prior to joining Adobe, Paul led a team of interactive designers and developers at Starz Entertainment producing multimillion dollar web and mobile campaigns.

February 14, 2012

Valentine’s Special: Remove Your Ex with Photoshop.next

Artificial intelligence: Good.
Your intelligence: Better.
The two together: Best.

To reduce instances of “Content-Aware Fail,” the Photoshop team has been working on ways to let you guide the Content-Aware Fill algorithm. Check out this two-minute preview:

2:42 PM | Permalink | Comments [16]

Brief impressions of the Nikon V1

I’ve recently returned from my Guatemala trip, on which I carried a Nikon V1 borrowed from the Photoshop team.  If you want a long & crazy-detailed overview, check out Rob Galbraith’s review. What follows is explicitly not that. Rather, it’s off-the-cuff impressions from a guy who normally carries a 5D and who didn’t have the new cam’s manual to consult.

On the whole it’s a camera I quite like.  With a few improvements it could be one I love.

 

Highlights: Quality, silence, size.

I found image quality to be excellent. (Here’s a totally untouched shot taken from a very bumpy van.) Granted, I was looking at reduced-res images on my iPad (making it harder to judge noise & sharpness), and I was relying on Apple’s built-in raw conversion (making it harder to judge flexibility of dynamic range), but still I was quite pleased. Even photos taken in a dark museums & caves came out well when using Auto ISO (a feature my 5D lacks) and the 10mm f/2.8 lens. I loved the cam’s total silence.  People couldn’t tell that it was on or firing, making it great for candid shots. At one point a colleague asked me, “Are you actually going to take any photos?,” as she didn’t realize I’d been snapping away. The presence of a dedicated video start/stop button alongside the shutter release is a cool idea, making it easy to unambiguously capture video (i.e. no need to check or switch shooting mode first).  Overall video quality is great.

 

Lowlights: Battery, lags.

I found battery life on the whole to be somewhere between mediocre and awful.  Even with the rear display turned off, I’d knock a fully charged battery down to 1 bar in maybe 150 shots.  Unlike an SLR, you can’t just leave the cam on & ready to shoot at a moment’s notice. There’s no way to just leave it on (max setting is 10 min), meaning you can’t just raise the cam to your eye & know it’ll be ready to go. Weirdly, I found that when left on, the body grew quite warm to the touch. Even with access to my recharger every night, I stressed about battery life; without it (e.g. if backpacking), I’d have had to carry at least one or two spares. When you raise the cam to your eye, there’s a very slight delay before the digital viewfinder comes to life–nothing outrageous, but annoying for street photography.  One can hack this by taping over the proximity sensor, but presumably that would just exacerbate the battery life issue. As noted in the Galbraith review, the camera insists on briefly showing the last-taken photo in the viewfinder. Again, it’s not horrible, but I often want to keep concentrating on what I’m shooting, not chimp at the shot I just took. Minor: I found it a bit too easy to turn the shooting mode wheel by accident.  Suddenly I’d find myself in some odd burst mode, having nudged the wheel with my right hand.

 

For pop-up street photography, I found the Nikon 1 a good camera–just not quite a great one. Cutting out the lags, letting me leave it on, and adding a flip-out screen (so that I could compose & fire from waist height) would make it nearly ideal for the kind of work I was doing.  As it was, I learned to work around the camera’s limitations, and I’m very happy with what it let me capture.

A few galleries, in case you’re interested:

 

Of all these, I think this is my favorite.

 

 

10:10 AM | Permalink | Comments [6]

February 13, 2012

Animated lunacy: My Little Pony meets Skrillex

I get an absurdly large kick out of this. (Here’s the backstory.) Stick with it til 1:15 or so–if you can.

[ http://www.youtube.com/embed/dXWgGw0-MjE ]

8:22 AM | Permalink | Comments [1]

RED/Premiere Pro webinar Feb. 23

Join Ted Schilowitz, one of the founders of RED Digital Cinema, and Adobe’s Wes Howell, 10AM PST:

Adobe and RED have collaborated to bring a truly native, color-rich, 4K tapeless workflow to Adobe Premiere Pro CS5.5. Join this webinar to learn how you can enable a robust workflow for editing, grading, and delivering native R3D footage in real time using Premiere Pro.

 

 

February 12, 2012

Video: Future Hipsters

Now I’m kind of tempted to get a QR code tat that links to “un gato vomitando.”

[Via Bruce Bullis]

9:42 AM | Permalink | Comments [3]

February 11, 2012

Time & Tide

Canada’s Bay of Fundy features a high tide that can be 50+ feet higher than low tide. Check out this time lapse:

[ http://www.youtube.com/embed/hbzwzrZXUKA ]

In an old, obscure corner of my career, I was a Navy Midshipman who spent a month on the USS Zephyr. (Would you have guessed?) I sat on a dock in Alaska, sketching the aft 25mm cannon (below), which I’d just unsuccessfully shot at some seagulls (thankfully I missed). I tend to draw each part methodically, and I kept kicking myself as I failed to get the perspective right among the various pieces. Finally I realized that the tide was lowering the ship so fast that the lines were rapidly changing. Not a great place to draw in pen!

[Via]

9:06 AM | Permalink | Comments [2]

February 10, 2012

Making iOS vector icons using Photoshop

Matt Gemmell shares his tips on creating extremely small PDF graphics using a combo of Photoshop and Panic’s utility ShrinkIt (reducing the size of his test file by 85%).

10:29 AM | Permalink | No Comments

A North Korean Photoshop tutorial

“Rotting misery pumpkin”? “Catify” command? Where can I get this version?? [Note: Contains a little off-color humor]

[Via the *actual* Bryan O'Neil Hughes]


8:49 AM | Permalink | Comments [1]

February 09, 2012

Photoshop.next sneak #3: Dashed & dotted lines

Note the presence of controls for “real” stroke & fill (not dependent on the modal layer style dialog) on the options bar.

[ http://www.youtube.com/embed/zDfL021HkCg ]

[Via Rob Cantor]

8:38 AM | Permalink | Comments [6]
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