DESIGN: Australia’s greenest skyscraper has a highly energy-efficient glass skin

The curving glass walls of the soaring interior atrium of 1Bligh, Australia's most energy-efficient building designed by the architecture firms of Ingenhoven + Architectus. photo: h.g. esch, hennef

The sweeping 28-story glass atrium and floor-to-ceiling windows of the recently opened  1 Bligh Street, a circular high-rise office building situated in the heart of Sydney, Australia’s financial district, embody the striking aesthetic potential of glass architecture. Yet 1 Bligh is as much about function as form. The building is outfitted with a double-skin glass and acrylic façade, which makes maximum use of natural light and even allows the building to regulate its own temperature. Continue reading

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OPENING: Traver Gallery features faculty work from innovative U Washington program

Mark Zirpel,Rain Organ, 2011, courtesy: Traver Gallery

The 3D4M art program at the University of Washington is as interesting and innovative as its name, which stands for Three Dimensional Forum. The work of five faculty members at the University of Washington are featured in a recently opened exhibition at the Traver Gallery that runs through April 1. The show will include a selection of ceramic, glass and mixed media sculpture by artists Doug Jeck, Amie Laird McNeel, Akio Takamori, Jamie Walker and Mark Zirpel—all faculty members at the University of Washington’s innovative art program that marries highly technical material study with high-level conceptual thinking. The mission of the 3D4M program is to explore concept, and critical dialog all while learning in a studio-based environment. Continue reading

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Inspired by the London Olympics, the U.K.’s Contemporary Glass Society hosts glass summer games

In London, artists and athletes unite and compete.

While the 50th anniversary of Studio Glass continues to get major coverage in the U.S. (on this blog and the print edition of GLASS: The UrbanGlass Art Quarterly among other venues), glass artists across the pond are gearing up for a major event of their own. Taking their cue from the upcoming Summer Olympic games in London the Contemporary Glass Society, a glass artist organization in the UK., is organizing “Glass Games 2012.” Continue reading

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OPENING: Fuller Craft Museum traces the evolution of Dan Dailey’s work from two to three dimensions

Dan Dailey, Signal, 1992. Glass. courtesy: fuller craft museum

This Saturday, February 18th, the Fuller Craft Museum in conjunction with the Art Alliance for Contemporary Glass 50th Anniversary Celebration of the American Studio Glass movement, will open an exhibition titled “Dan Dailey: Working Method” that will help demistify the process, technique and vision behind a unique body of work in glass. Continue reading

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A conversation with MAD curator Jennifer Scanlan about “Glasstress New York” and Studio Glass

Clifford Rainey, "War Boy - Job No. 1," 2006. Glass, inert ammunition, iron wire, oxides, pins, maple plinth. photo: lee fartheree. credit: jennifer scanlan.

Last month, the Museum of Arts and Design linked the 50th anniversary of the American Studio Glass movement with their exhibition “Glasstress New York: New Glass from the Venice Biennales,†which offically opened yesterday. Shortly after the GLASS Quarterly Hot Sheet wrote a blog post noting how little the “Glasstress New York” show had to do with Studio Glass, something the American Craft Museum championed before it became the Museum of Arts and Design, the museum contacted us to inform us of its plans to hold a second, smaller exhibition later this year entitled “Playing with Fire.†This new exhibition is designed to focus more closely on the American history of Studio Glass, as well as the Museum of Arts and Design’s own role in the movement. Continue reading

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Amidst belt-tightening in British arts, North Lands Creative Glass releases 2012 course schedule

Paul Marioni, Blade, photo: Russell Johnson courtesy: North Lands Creative Glass

Lybster, Scotland, is historically known as a fishing village, but over the past 17 years, it has been taking on a new identity as an international center of glass art. North Lands Creative Glass, located here on the windy North East cost of Scotland, is home to a world-class program of master classes, conferences, residencies, and workshops, which educate, support and inspire artists. Organized around the theme of “Give and Take†the master class program (click here to download a PDF copy) for this summer 2012 has been finalized. The goal of “Give and Take” is to explore conceptual and stylistic exchanges over time, between different cultures and media. Continue reading

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OPENING: Looking forward, looking back: “Bright Future” at Pratt Manhattan Gallery

Marco Dessi, Basket Chandelier, 2010. Brass, glass, and silk ropes. photo: vessel gallery.

Tonight, Pratt Manhattan Gallery opens an exhibition entitled “Bright Future: New Designs in Glass.â€Â  It is a show meant to honor the rich history of glass and to connect with its ancestors, be they the pioneers of the studio glass movement fifty years ago or the ancient Egyptians of three thousand years ago.  That is not to say, however, that the show obsesses over only bygone years and ignores future possibilities: as suggested in the title, the show is as much about looking back as it is looking forward.

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Top artists to visit the new Chrysler Museum Glass Studio throughout Studio Glass 50th anniversary year

Dante Marioni, Purple Reticello Urn, 2011. courtesy: chrylser museum of art.

On February 27, the Chrysler Museum Glass Studio will kick off a year-long series of exhibitions and live demonstrations featuring eight internationally known artists who will visit the Norfolk, Virginia, institution in 2012. The Chrysler Museum of Art’s studio, which opened in November 2011 in a former bank building, now hosts classes and workshops for artists and students. It also serves as a workplace for artists in residence. Big names in glass such as Dante Marioni and Ben Moore will be doing demonstrations while their work will be on exhibit at the nearby museum. This idea of bringing art to life was one of the primary motivations to build the studio, and the roster of visiting artists in 2012 spans the full range of glass techniques from glass engraving to glassblowing. “We purposely chose our inaugural group for their diversity in technique, artistic vision, and personal background and education,” Kelly Conway Chrysler Museum of Art curator of glass told The GLASS Quarterly Hot Sheet in an email exchange. Continue reading

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OPENING: Glass and Lego sculpture in the crypt of a Dublin cathedral

Sean Campbell's work fuses glass, steel, and Lego blocks. photo: the artist

Most of us would never think to decorate an ancient cathedral with modern glass art, or to stack Lego blocks amongst ancient tombs.  That, however, is precisely what artist Sean Campbell’s latest exhibition does.  Contemporary sculptures forged of glass, steel, and Legos will be revealed within Dublin’s Christ Church Cathedral’s Crypt this Thursday in an exhibition entitled “The Sentinel Project.†Continue reading

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2012 International Flameworking Conference to feature Jay Musler

Jay Musler, Kiss Me. photo: jay musler.

As the featured artist for Salem Community College’s upcoming eleventh annual International Flameworking Conference, Jay Musler will offer attendees both the chance to hear him speak and to see him create his distinguished glass works. Continue reading

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Don’t Look Down: Scary glass tourist attractions test the strength of the material—and your stomach

The booted feet of the author and her father feigning bravery on The Ledge of the Sears Tower: photo: katharine morales

Straining to see further, vying for a vantage point with stubborn strangers and hyper children of knee height always in the way, the crowd gathered in the observation deck at the Sears Tower in Chicago is getting restive. Manners and feigned patience are the only factors stopping a riot thousands of feet above street level. My father and I sat through an educational film about the rivalry between New York City and Chicago, we stood up against cardboard cutouts of Michael Jordan and Barak Obama, with graphs detailing how many presidents tall is the building in which we stand (283), we paid more money than these things are worth, and now we are pushing our way to the windows for the real attraction — the heart fluttering, knee-weakening, stomach-churning, mind-reeling “Ledge.” These four glass capsules jut 4-1/2 feet from the tower’s 103rd floor, allowing for unprecedented views. Lake Michigan is a vast turquoise backdrop outlined by Indiana’s hills, and the ball park the White Sox call home is dotted with pinpricks of stadium light. But it’s hard to look out when we are trying so hard to not look down — down past our shoes, down a vertical quarter mile to the ants walking by on Wacker Drive. The sensation brings you to your knees, if only at a desperately vain attempt to get that much closer to the blessed floor, and the words plunge, plummet, and smash come dauntingly to mind.

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OPENING: UrbanGlass exhibition features work from four recent MFA graduates

Joanna Manousis, Reaching an Ulterior Realm, 2010. Blown glass, mirror, bronze. courtesy: the artist

Though glass dominates at UrbanGlass’ 7th annual MFA Exhibition, opening tonight, each piece on view incorporates materials as varied as mirrors, natural artifacts, antiques, birch, and flannel. Open through March 17 at 111 Front Street in Brooklyn’s DUMBO neighborhood, the show features work by four recent MFA graduates from North American glass programs. Continue reading

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OPENING: David Ruth’s Antartica project debuts in San Francisco

David Ruth, Sculpture from the "Light Maker" series: Tabueran, Pinaki and Rapa, 2006. courtesy: the artist

The Thoreau Gallery in San-Francisco is opening a group exhibition tonight entitled “57 Degrees.” The exhibition which will feature an opening reception this evening from 5 to 7 PM will feature the work of David Ruth and 20 other bay area artists. Continue reading

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Toledo Museum of Art revives groundbreaking 1962 glass furnace for 2012 artist residency

The state-of-the-art Toledo Museum of Art Glass Pavilion hot shop will host a rebuilt 1962-style furnace during the Toledo Workshop Revisited residency in 2012. photo: floto+warner studio.

It all started with a furnace. Although there are now companies wholly devoted to building energy-efficient furnaces and glass studio equipment, in the 1960s the artists themselves did most of the building of modest stacks of bricks and gas pipe where they could access the wondrous material of molten glass. The development of a small-scale furnace took glass out of the large-factory setting and put it into the hands of individual artists, launching a movement in glass sculpture that is celebrating its 50-year milestone in 2012. Museums around the country are hosting special exhibitions and events, including a unique artist residency at the Toledo Museum of Art. Continue reading

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Opening: Disparate works brought together “In the Name of Love” at The Alexander Tutsek-Stiftung

Tanya Lyons and Mathieu Grodet, Drift, 2010. Flameworked glass, leather straps, stainless steel. photo: hans-joachim becker. courtesy: alexander tutsek-stiftung.

Timed for the month when Valentine’s Day is celebrated, The Alexander Tutsek-Stiftung in Munich, Germany, will open a new exhibition of glass and mixed media objects revolving around the theme of love in early February. Titled “In the Name of Love,†it will feature 30 works by 26 artists including Silvia Levenson, Christina Bothwell, Jose Chardiet, Luke Jerram, Dafna Kaffeman, Marta Klonowska, Sibylle Peretti, Elizabeth Swinburne, and Lino Tagliapietra. Continue reading

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An exhibition that invites us to take a closer look at invisible infrastructure

Jeremy Lepisto, What Lies Below, 2008. Kiln-formed glass. photo: aimee sones.

The computer network that holds your bank records and your Facebook photos. The refrigerator that keeps your milk cold. The highway or subway that carries you to work.  Contemporary life relies on an increasingly intricate infrastructure, but we so rarely notice much less consider the power lines, generators, or road systems that permit us to run through our days. In fact, we usually do our best to avoid them: cropping out utility poles from the edges of a photograph, concealing the wires behind our computer into flexible tubes, and stowing away power lines underground. Why do we feel the need to hide the infrastructure that are actually central to our daily lives? A mixed-media exhibition now on view at Ohio State University Urban Arts Space gallery seeks to put the focus squarely on the industrial and technological landscape in which we live.

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With attendance up, Art Palm Beach honors Studio Glass at 15th annual art fair

Jeannet Iskandar, Between Fragment and Whole Ellipse I, 2011. courtesy: heller gallery, new york

This past Monday, the curtain came down on the 15th year of Art Palm Beach, which ran from January 20th to the 23rd at the Palm Beach County Convention Center. Fair spokesperson Ashlea Heck estimates this year’s attendance was 28,000, exceeding the previous year’s number by 2,000 despite being a day shorter. Eighty two galleries from the U.S. and abroad showed contemporary art, furniture, photography, and design objects. Exhibitor Corey Hampson, the director of sales for Habatat Galleries based in Royal Oak, Michigan described this year’s Art Palm Beach as having “a lot of energy†and “very contemporary.†Continue reading

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Executive director Michelle Bufano departs Pratt for Chihuly Center, hopes to find links between nonprofit and for-profit worlds

Michelle Bufano makes her move from Pratt to the new Chihuly Center. Photo (http://www.flickr.com/photos/lindes/224801469/) by David Lindes (http://photo.lindes.net/).

The executive director for the nonprofit Pratt Fine Arts Center in Seattle, Washington, Michelle Bufano is taking up a new position as the executive director at the for-profit Chihuly Garden and Glass. (Her last day at Pratt will be February 3rd.) The new tourist-friendly arts center project is a collaboration between the Wright Family, owners of the Seattle Space Needle, and glass artist Dale Chihuly. A contentious approval-process was resolved in December 2010, when Seattle’s mayor negotiated a compromise between Chihuly and the local independent radio station that has also been vying to use the same public space. Bufano, who’s been in arts management for the last 20 years, says she got involved with the Chihuly project early. Concerned with how the center would affect local artists and Pratt, Bufano started conversations with the Wright Family. Seeing an opportunity for artists to show their work and a potential collaborator for Pratt,  she became an early advocate for the Chihuly Center. It wasn’t until later in the center’s development that Bufano was asked to come on as executive director. She says the offer came at an opportune time. Bufano just finished overseeing a $500,000 campus-improvement project at Pratt, allowing her to leave the organization on a high note. She’s also ready to take the next step in her career. Continue reading

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Corning Museum plans $64 Million expansion into shuttered Steuben facility

two glass artist demonstrate finesse and teamwork in the showroom; courtesy of Corning Museum of Glass

Our Winter 2011-12 edition of the print edition of GLASS Quarterly (#125), includes a feature article entitled “Flawless to the End” by Lee Brooks, which examines the storied history and recent demise of Steuben, the premier American glasshouse until it officially closed down production in late 2011. Although Steuben continue to ship remaining goods for online orders, the company’s one-time owners at Corning, Inc., have decided to use the shuttered facility for an expansion of The Corning Museum of Glass. According to an article in the Ithaca Journal newspaper, The Corning Museum plans to expand their exhibition area as well as their facilities to offer the public hot glass demonstrations. Continue reading

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Museum of Arts and Design celebrates 50th anniversary of Studio Glass with contemporary art exhibition from Venice

Jaume Plensa, "Glassman" 2004, at Glasstress 2011 in Venice, Italy.

UPDATED 01/18/2012 and 1/19/2012

The year 2012 marks the 50th anniversary of Studio Glass in America, and the Museum of Arts and Design has made an unusual choice to observe this occasion through its upcoming exhibition “Glasstress New York: New Glass from the Venice Biennales.” The decision for an American museum that helped put Studio Glass on the cultural map with major exhibitions of Chihuly and others (in the days it was known as the American Craft Museum) is quite provocative. After all, one could easily point to the under-representation of Studio Glass artists at both GLASSTRESS shows in 2009 and 2011 and wonder how such an exhibition relates to the institution’s own historical role in the advancement of sculpture made from glass. (Editor’s note: Since this item was initially published, the museum has alerted us to a second exhibition honoring Studio Glass called “Playing with Fire” and drawing from the permanent collection of the museum that it is planning to open in October 2012. Look for a follow-up article when more details become available. ) And GLASSTRESS creator Adriano Berengo is an outspoken critic of some aspects of Studio Glass, which he feels suffers from too much focus on the material. In an interview published in the Fall 2011 issue of GLASS Quarterly magazine, Berengo said, “If the Studio Glass movement made a mistake, it was to make  a world apart, to engage in an insularity that created, if I may, a kind of material masturbation, more interested in how things are made than about what is made.” Continue reading

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