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Sunday, February 19, 2012

Karo Akpokiere | Artist

Karo Akpokiere on his work:
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I love to draw and I am deeply interested in how these drawings can be applied to different surfaces as a way to make them accessible and visible facilitating connections with and inspiring people in the process.
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The drawings I make are created using traditional and/or digital processes and are indicative of my desire to combine different 'cultural' elements in other to create art that is universally appealing and reflective of my interests in textile motifs, the graffiti aesthetic, t-shirt graphics, sneakers, advertising, character design and geometry.

Saturday, February 18, 2012

Tecee Boley | Reporter

From New Narratives:
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Image courtesy of New Narratives
Tecee Boley is a leading radio and print reporter in Liberia. She works at Liberia Women Democracy Radio as a reporter and presents programs on gender education and rural women. She also contributes to FrontPage Africa newspaper and Front Page Africa, Liberia’s most widely read newspaper and website, and is regularly heard on United Nations radio.

New Narratives Fellow - Tecee from New Narratives on Vimeo.
In her own words:
‘I am already living out my dream, to broadcast voices that are rarely heard. But I don’t just want those voices to be heard, I want authorities worldwide to take action.’

Friday, February 17, 2012

Obi Emelonye's "Last Flight To Abuja"

In Shadow and Act:
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Although the Nollywood film industry is one of the fastest-growing film markets around, it still contends with a "poor quality films" perception often attached in describing the industry but filmmaker Obi Emelonye hopes to change that with his new big-budget thriller. His hit film The Mirror Boy was a huge success, critically and financially, in the UK and throughout Africa last year. His latest production, Last Flight To Abuja, is the first-ever Nollywood disaster film and, with a budget of $500,000, will become one of the most expensive Nollywood films made.

He realizes there's skepticism but thinks that can change telling The Voice..."I know there is a little bit of doubt about how would we compare in terms of quality of production values and storyline to Hollywood. But that argument is being won right now. Film-makers like myself are trying to use the conventions, the visual narrative style and the technology of the West in a very unique African way, to tell our own stories.”...[continue reading]

Wednesday, February 15, 2012

Tuesday, February 14, 2012

Taiye Selasi on the "African" in "African Literature"

In the Daily Beast
Taiye Selasi, a young Ghanian writer talks to the Daily Beast from the Jaipur Festival about the challenges of the young African novelist and the unique connection she sees between the Indian readers & African literature.
via Bombastic Elements

Monday, February 13, 2012

Is This The End of The Nigerian Revolution?

Emmanuel Iduma in Black Looks:
Perhaps you failed to see that all of this, this ad hoc revolution, was simply the beginning of a shift of consciousness. It takes a lot, you should know, to transcribe the language of a dream into the spoken word of reality. True, all dreams are translatable, all dreams are reality. But within the terrain of the dream and the terrain of reality lie shadows.

What you did was tell the shadows you are beginning to reclaim your reality. Do not feel undermined, betrayed, or normal. There is no such thing as normalcy; there is change lurking everywhere and those mountebanks from the other side know it. They have seen the rise of reality; they have seen, yes. And they know that it is only a matter of time before they are overtaken, overridden, outpoured.
More here

Sunday, February 12, 2012

Saving Africa in the footsteps of Nicholas Kristof

Kathryn Mathers in Transition:
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I do not want to write about Nicholas Kristof. The sheer banality of his representations of Africa paralyzes me. His columns and blogs about Africa in the New York Times are repeatedly under fire for their poor research, careless reading of studies on Africa, and blatant generalizations. This allows him to repeat troubling and problematic tropes about Africa and about how Africans need foreign help. Yet student bodies across the country frequently invite him to speak on their campuses. Saving Africa has become a favorite hobby for celebrities and ordinary Americans alike. And journalists like Nicholas Kristof, who write endless stories about Americans doing good in Africa, are central to this shift. Kristof even got to bunk down with actor George Clooney in Chad so that they could report back about the conflict in Darfur across the border...[continue reading]
via Africa is a Country

'The Invisible Arab'

In Al Jazeera:
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The following is the first of a series of excerpts that Al Jazeera will be publishing from The Invisible Arab: The promise and peril of the Arab revolutions by Marwan Bishara.

In much of the world's media, the narrative goes like this: An oppressed people who have suffered passively suddenly decide that enough is enough and, thanks to Western technology and inspiration, spontaneously rise up to reclaim their freedom, inspiring what is called the Arab Spring.

Like most revolutions, however, this one was a long time coming. The historic takeover of Tunis's November 7 Square, Cairo's Tahrir Square, and Manama's Pearl Square, among others, were the culmination of a long social and political struggle - countless sit-ins, strikes, pickets, and demonstrations by people who risked and suffered intimidation, torture, and imprisonment.

What started as a desperate act of self-immolation by Mohamed Bouazizi, a street vendor, soon became a viral event on the internet, one that led angry Tunisians to pour into the streets by the thousands. Demonstrations turned into national upheaval and culminated in a full-fledged revolution that toppled the Tunisian dictatorship and spread east to other countries to kindle the greatest Arab transformation in memory. Never had the region witnessed such collective vigour and yearning for change.

Read more of our Tunisia coverage Within a few weeks, millions of Arabs filled their streets and squares, giving new meaning to Mark Twain's claim that there's power in numbers. The silent majority finally spoke, breaking the psychological barrier of fear erected by regimes through decades of oppression, and discovering in record time that, as the fairy tale foretold, the emperor had no clothes.
More here

Saturday, February 11, 2012

Right to Dream Academy

In Ghana:
Starting on a small scale, training just a few boys on a dust pitch in Accra, the Right to Dream Academy has grown to the point at which it is today; a hugely successful fully residential international school, offering scholarships to talented children drawn from all over Ghana.
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Image courtesy of Candace Feit

The focus and guiding principle of the Academy is that every talented child has the right to dream of a better, brighter future and can reach their full potential when nurtured through a carefully structured programme in a safe and healthy environment.

In March 2010, we officially opened the new RtD Academy, a US$1.5million purpose built facility, located 20km south of Akosombo in the Eastern Region of Ghana. The new Academy provides a home for our expanding programme, with specialist facilities and resources located onsite, to ensure our students can reach their true potential in life...[more]

Friday, February 10, 2012

Nigeria's 500-year-old dying dye tradition

CNN reports:
Residents of Kano in Nigeria are struggling to keep alive their centuries-old tradition of hand-dying delicate cloth a deep indigo blue, with their trade under threat from the realities of modern commerce. Kano's pits are said to date back 500 years and were once the center of a bustling Saharan trade in dyed cloth. There are still over 120 pits in Kano but only 30 of them are functioning. Many of them have been filled in, often because families have moved on to other businesses, but sometimes because they're waiting for their children to grown up, dig out the pit and reclaim their tradition.

Thursday, February 09, 2012

'Congo Masquerade'

Nicolas Van De Walle reviews Peter Eichstaedt & Theodore Trefon's 'Congo Masquerade':
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Trefon takes a broader view of the DRC, examining the country’s sociopolitical dynamics and its failing institutions. His book has no heroes. It is sharply critical of the DRC’s rapacious political class. But Trefon is perhaps even more critical of the aid efforts of the United Nations, various bilateral and multilateral donors, and international nongovernmental organizations, all of whom he suggests might actually be making things worse, by perverting institutional incentives for reform. The Congolese state, meanwhile, remains essentially collapsed, unable to provide social services or ensure law and order. The uncoordinated proliferation of donor projects weakens the state apparatus by hiring away the few available competent Congolese administrators and by providing various perks and resources to a class of local middlemen who now live off foreign aid.
More here

Wednesday, February 08, 2012

Since We Are Afraid of Infinite Silence

In Black Looks Emmnauel Iduma's 'Thoughts on Boko Haram':
Consider the danger of infinite silence.

They come to us in the name of God, for evil has taken the guise of virtue. They say they are speaking a collective language, premised on restating the religious utopia created by their prophet. Their prophet. Clearly, their God and their prophet are imagined. Evil has taken the guise of virtue.

I realize that, in the final analysis, what Boko Haram wants is to silence our freedom. They want to introduce a regime of creative stagnation. I understand that creativity begins at the threshold of freedom. Let me explain. ...[more]

Tuesday, February 07, 2012

The 'Wall of Fear' is Gone in the Arab World

Hajrudin Somun writing in Zaman:
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GRAPHIC: KADİR ÖZMEN
Doing away with the ‘wall of fear’

For the first time since they were liberated from colonial powers, Arabs have shown a high level of persistence in their revolt. They have relieved themselves from a fear of being imprisoned, persecuted, tortured or even killed if they protest against authoritarian rulers. “The wall of fear is gone,” said a woman participating in a protest march for the “blue bra girl” in Cairo.
More here

Africa’s only way forward is a grassroots/wildfire movement!

A Mind of Malaka rejoinder to You Lazy (Intellectual) African Scum!:
When Wangari Maathai began her campaign to reforest Kenyan’s landscape, her success was not with the members of her government. It was with her people; local people without much education, but who had a vision bigger than any government official had the mind to conceive. Trickle down policies do not work in Africa, because there is rot at the head. Africa’s only way forward is a grassroots/wildfire movement. With one spark, you can ignite an entire continent. It’s not going to be easy, and change never easy. Sometimes you will have to take a beating – figuratively and literally – to get the change you want to see. Ask any person who has been successful if that success did not come with some measure of pain.
More here

Quick Hits

If Steve Jobs had been African
The historical roots of East Asia’s growth miracle
Beyond theresource curse
Some empires really were worse than others.
Sudan's Oil Crisis is Only Bashir's First Problem

Monday, February 06, 2012

Gaddafi's Malian Legacy

In Africa Report:
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Image courtesy of African Report
Gaddafi backed several insurgencies in African including Chad and Uganda. And months after his death, at the height of a violent uprising, his weapons continue to fuel unrest.

According to reports, the over 1000 Tuareg militants, commanded by a former colonel in the Libyan army — brought with them enough of an arsenal to match the Malian army.

Emboldened by their new weaponry, they have formed the National Pour la Libération de l'Azawad (MNLA) – a so-called liberation movement.

The rebels have retaken some towns and attacked half-a-dozen more  in the north...[continue reading]

Reclaiming Africa’s History from the West

From Chika For Africa:
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Igbo Ukwu pot courtesy of Chika for Africa
Fifty years after Independence, Africans have refused to deconstruct and reconstruct the foundations of its colonially bequeathed knowledge. There is no one for Africans to blame, but themselves. The blame goes to African intellectuals who would rather write in ways that would please the West. To African medical doctors who despise indigenous medicine and healing systems, opting completely for Western medical knowledge – the origins of acupuncture, yoga and other acclaimed Eastern medical practices notwithstanding. To African historians bent on analyzing and presenting African history to their students from the Euro-American point of view. To African graduate students unconcerned with applying themselves to objective and critical studies and research on African issues. To African parents who refuse to speak their native languages to their wards, constricting their children’s world, their thoughts and their expressions to the limited vocabulary of the English language. To African religious leaders who have not espoused Africans to love themselves as Africans, before loving their European and American neighbors, just as the Holy book admonishes. Yes, all Africans are to blame for the situation of Africa today. Not one person is exempt, not one.
More here

Sunday, February 05, 2012

Design Education - A Catalyst for Prosperity

From Design Magazine:
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Image via interior-zine
Design is all around is. Try and black out everything that has been designed and you will be left with a black hole. It is the building block of our society, culture and even the most humble existence, past and present and will be the pacemaker and indicator of progress and changes to come...Design education should be a catalyst for prosperity for all, not just for a talented or elitist few

Prioritising design education and including design thinking in general and business education will have a far-reaching impact than just addressing challenges and obstacles that the design world is currently facing.
On its criticality:
The advocacy and importance of the creative industry as a vital building block of any society and contributor to the economy should never be underestimated and asks for serious consideration and inclusion. Life skills identified to be lacking in society should be fostered from a young age. As a school subject, Design is not only relevant as a viable career option for talented creative learners, but it is also vital for the development and growth of a new generation who are strategic thinkers, creators and thought leaders in other fields – providing them with a mindset for entrepreneurship and innovation.
More here
 


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